sovay: (Rotwang)
sovay ([personal profile] sovay) wrote2013-07-17 02:58 am

Numbers are as close as we can get to the handwriting of God

Thank you to everyone who commented last night for Abbie—if you sent wishes, thoughts, love, or just the recognition of reading, thank you. Rob has an update on the situation here. The short version is that we are to consider the cat on hospice care. The salient fact is that there is still a cat. We were very surprised: we did not expect him to live until morning, and then we did not expect the veterinarian's house call to end in anything other than the difficult decision Rob had spent the night accepting he would have to make. Instead, there's a cat under Rob's bed as I write—it's one of his traditional hangouts on hot days or nights. He is still not really eating, except for a little licking of tuna liquid, but he has been seen to drink water, wander around the downstairs in an aimless, jingling fashion, and when we got home from a 2-D showing of Pacific Rim (2013) tonight, Abbie was in the dining room, being made much of by [livejournal.com profile] ratatosk and [livejournal.com profile] laura47. We are waiting on some test results from the veterinary hospital where he spent an overnight this weekend and then we will see what comes next. For the time being, however, a cat is here.

The thing to understand about Pacific Rim is that I cannot write a comprehensive review of it tonight. I want to write a post just enthusing about all the major or minor details, the realization of the world in in its casual scruffy lived-in-ness and the way it begins where a stupider movie would have tried to throw a late-act twist, the coherently staged fight scenes that are of genuinely epic, elemental scale. The kaiju do not move like weightless computer modeling; they shoulder up out of the sea, snap bridges like wires, grind skyscrapers to ash-glass with the awful immensity of volcanic eruptions or tsunami, things that overwhelm. There is something a little frightening about the Jägers, too, with their nuclear chest-cores and huge sliding hydraulics: I got little flashes every now and then of the God Warriors from Nausicaä of the Valley of the Wind (1984). The film never loses track, though, of the fragile human bodies being slammed all ways within the blind metal armor as they animate it, or the even greater vulnerability of the three-way neural link that allows two pilots to bear the strain of controlling a Jäger where a solo operator would start to bleed from the brain (even if I would have liked the script to take a little more time over what the Drift actually entails and the implications of its slightly Cronenbergian form of telepathy. There is a casual, haunting mention of a dead pilot's memories remaining within the mind of his surviving partner, because they were in the Drift together when he died: there's an entire story in there that is not quite this film). The character backstories have been pared down to the strictly functional, but the worldbuilding is sprawling and meticulous. The genre shout-outs are so numerous and so affectionate that I'm almost waiting for the drinking game. The World War II echoes are almost more intriguing to me: there is nose art on the Jägers, ration cards and work projects, Burn Gorman's kaiju-predicting mathematician is nearly a cartoon of a Bletchley eccentric right down to the tweeds and sweater vest. I did not expect to see a perfect realization of St. Michael and the dragon iconography in a grappling-tailed monster and a giant robot. (I did not expect to see, either, the closest I ever will to the Sea's Tooth of Deep Wizardry (1985) where the Lone Power lies burning in a basalt-stacked canyon at the bottom of the sea, the water bursting into sullen blue flame all along its lava-black and deadly length. I do not believe this is an allusion Guillermo del Toro intended, whereas I'm pretty sure about the other, but it was still an amazing thing to find on my screen.) There are splashy horror-comic setpieces and moments of unexpected understatement. Ron Perlman plays a Tom Waits role. And it's a movie that knows exactly which clichés it wants to honor unashamedly and which ones it wants to subvert or entirely ignore, meaning Rob and I applauded our way through a number of scenes. It's not a romance, for example. Except for the alien monsters rising from the deep, it's not a movie with villains, either. The recurring motif is the sharing of memories, the bridging of minds. Rob noted afterward, approvingly, "Nobody gets betrayed."

We went to the movie in the first place because Abbie was stable and we needed to do something completely different. Pacific Rim was exactly the correct thing to do. About a minute in, I started grinning. I don't think I stopped until the house lights came up. It is dedicated to the right people.

I am going to bed.
thistleingrey: (Default)

[personal profile] thistleingrey 2013-07-17 09:02 pm (UTC)(link)
The Sea's Tooth!!

Good thoughts for Abbie, and you and Rob.

[identity profile] asakiyume.livejournal.com 2013-07-17 12:57 pm (UTC)(link)
Little Springtime and the ninja girl came home **enthusing** over the film, and [livejournal.com profile] intertribal was very approving on Facebook, so I know this is a film to see. (Do you know how rare it is for Little Springtime and the ninja girl both to not just enjoy, but enthuse about a film? It's rare.)

"Nobody gets betrayed" is very important to me--very very. I can't tell you how much I hate the almost tossed-in (because for some reason it has to be there?) Hollywood betrayal.

The thing the girls said was it was about the value and importance of working together as opposed to the heroic individualistic hero solving the problem. The fact that it takes two to pilot the mecha shows that, for starters.

... Yeah, I'll have to see it at some point.

Can I link to this over on Tumblr? That way the ninja girl and Little Springtime would get to see it. (If you'd prefer I didn't, I can refer them here.)

[identity profile] movingfinger.livejournal.com 2013-07-17 03:48 pm (UTC)(link)
Tuna Water is a wondrous substance. Nectar-for-cats.

Perhaps he would enjoy horchata-for-cats.

[identity profile] strange-selkie.livejournal.com 2013-07-17 06:02 pm (UTC)(link)
I keep telling N to go see this. I think she would love it. Thank you for writing the review because I can't go see it!

My own ancient of days kitteh has taken a "fuck tuna" stance for several years now (maybe one should call it a "fuck everything" stance), but will go for reduced-sodium cooking broth from a tin.

[identity profile] ladymondegreen.livejournal.com 2013-07-17 07:01 pm (UTC)(link)
I did not expect to see, either, the closest I ever will to the Sea's Tooth of Deep Wizardry (1985) where the Lone Power lies burning in a basalt-stacked canyon at the bottom of the sea, the water bursting into sullen blue flame all along its lava-black and deadly length.

I was thinking this too. Also, this:

Ron Perlman plays a Tom Waits role.

And this:

It is dedicated to the right people.

I find I actually want to see it again.

[identity profile] ap-aelfwine.livejournal.com 2013-07-17 08:08 pm (UTC)(link)
I'm glad ye were able to do something completely different, and very glad that it was such a good something completely different.

I'm thinking I might have to see this film.

[identity profile] ashlyme.livejournal.com 2013-07-18 07:51 am (UTC)(link)
I'm glad Abbie's better. I'll try and catch Pacific Rim next week.
selidor: (Default)

[personal profile] selidor 2013-07-19 09:59 am (UTC)(link)
Big and loud and smart. Oh dear. You have convincingly sold a pair of movie tickets. (Once I get back to Canada, so probably next weekend).

Comfort to both cat, and you its people.

[identity profile] sairaali.livejournal.com 2013-07-20 11:46 pm (UTC)(link)
M and I went to see this today. I don't watch movies often, so I have no idea how Pacific Rim compares to others in its genre, but it was fun to watch. I, too, saw the Sea's Tooth in that scene. I appreciated all the character moments, especially the really beautiful spare way the father-daughter relationship was drawn. I disagreed with nearly everything to do with the engineering of the Jaegers and the military tactics, but I've come to expect that from action movies. Newt and Gottlieb were my favorites, unsurprisingly. I loved that with all the high tech, Gottlieb went to a blackboard to do his calculations, because of course. There's just something emotionally satisfying to chalk that you don't get from computer modeling.

What I really want now is the story of how the Drift was created; the heroes who were the alpha and beta testers of the tech. Also how Stacker manages to not bring anything into the Drift.

[identity profile] irisbleufic.livejournal.com 2013-12-09 11:33 pm (UTC)(link)
NOBODY GETS BETRAYED. Thank you. Yes <3